Strong Dub - Paul Fox (12) - Positive Thinking (CD)

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The result is the HiLo, which was built using minimal concrete and has impressive sustainability features. Dutch designer Arnaud Desseyn has graced our pages with a couple of interesting portable stove designs before. The perma-coifed Commodores frontman's single smashes any attempts to resist its groove. And that bit that sounds like made-up gibberish? It is. Richie attempted to find some suitable foreign phrases but got impatient and invented his own international party language.

Toto was Strong Dub - Paul Fox (12) - Positive Thinking (CD) collection of studio ringers with credits on Steely Dan and Boz Scaggs records. Wrapped in chest hair, sunglasses and terry cloth, these feathery dudes were too anonymous to be deserving of the term supergroup.

Thankfully, the lotion-slick groove reeks more of coconuts than crisp money. Catchier than a flytrap, more sordid than your craziest night Strong Dub - Paul Fox (12) - Positive Thinking (CD), Rick James hit the summit of his career with the wild Strong Dub - Paul Fox (12) - Positive Thinking (CD) of "Super Freak. Even that sampling by MC Hammer can't diminish its greatness. As the s turned in the s, punks and rockers and there was a difference then both became enamored with the sounds coming out of New York City.

Even the Stones went disco and dabbled with rap. No guitar act better assimilated hip-hop than the Clash, probably because they had so much practice sponging up dub. Jones liked it so much he sampled the track a decade later in "The Globe. It wasn't just a souped-up DeLorean that safely spirited Back to the Future 's Marty McFly home to the '80s: He was also aided by this ditty from harmonica-blowing everydad Huey Lewis, who penned the song for the blockbuster's soundtrack.

It's about as sappy as they come, but Baby Huey smartly slips in a line about how love doesn't require a credit card, which, as anyone who's gone on a date in the past 50 years can tell you, is totally bull. But it's a sweet thought. Maybe not surprising, coming from a band named after an amphetamine, but the U.

The lyrics, about songwriter Kevin Rowland's youth as a sexually repressed Catholic kid, verge on dirty while remaining innocuous enough for your work-party karaoke sing-along. No '80s list would be complete without British synth-popsters the Pet Shop Boys. The lyrics pour out in a nervy jumble of apocalyptic imagery, military danger and mass-media frenzy, with pointed name-drops of pop-culture figures Lenny Bruce, Leonid Brezhnev, Leonard Bernstein and Lester Bangs united only by their initials.

But Strong Dub - Paul Fox (12) - Positive Thinking (CD) cut-through-the-chaos message still connects with anyone aiming to clear out a polluted stream of consciousness. Oh, that ill-fated bassline. Before Vanilla Ice famously ripped off, er, was inspired by the work of Queen bassist John Deacon, that subtle, infectious plucking heralded the meeting of two wildly influential rock icons. Considering the titanic forces at work in this tune, it's relatively understated, but it does ultimately climb to the sparkling heights that both Bowie and Mercury inhabited with such ease.

Hip-hop hit its golden era in the '80s. As critics continued to peg rap as a passing novelty, this big, lisping teddy bear from Long Island thumbed his nose at such stuck-up stupidity. His records were as much comedy albums and demonstrations of sampling as pretentious works of Strong Dub - Paul Fox (12) - Positive Thinking (CD), which made them even greater works of art.

Eventually, he had the shit sued out of him, and hip-hop was forever changed. Jim Kerr's soulful yowl was never better than on this fist-raising banger, an earnestly overwrought piece of melancholic pop bliss.

Whether you think of it as "the song from The Breakfast Club " or "the song that made The Breakfast Club cool," it's one of the era's definitive anthems. Has a drum introduction ever sounded this big? Turning jaunty Motown influences into icy synth pop may sound like sacrilege, but that's exactly what English duo Soft Cell did when it covered Gloria Jones's funky stomper in Ditching the original's energy for Marc Almond's cut-glass tones and unashamedly machine-driven melodies, Soft Cell's version soon became huge, paving the way for the '80s synth-pop explosion that followed.

Looking back, it's hard to really realize the impact of The Go-Go's, the first studio-backed all-woman rock band that wrote their own songs. That's because the Go-Go's arrived fully formed, ready to shake the industry with songs like this pop-fueled post-punk anthem that changed rock history the minute the first DJ hit play. Complexity, be damned! Sometimes all you really need for a truly memorable hit is economy, as proved by this stone-cold classic from On "Push It," all-gal Queens hip-hop trio Salt-N-Pepa made pop magic via a seemingly simple combination of Casio beats; a few big, dumb keyboard stabs; and a lot of impassioned, steamy cries of "Ooh, baby baby.

Hell, they're still ahead of their time. This is longing on a supernatural scale, and Tyler holds her own against the thundering arrangement as she roars out some of the least quiet desperation ever known to pop music. If you're in an '80s cover band and you're not playing this song on a nightly basis — well, there's just absolutely no way you're not. Of all of the iconic guitar riffs on this list, the opening line from "Sweet Child o' Mine" takes the air-splitting cake.

The third single from Guns N' Roses' shining debut, 's Appetite for Destructionit was the band's first and only number one Strong Dub - Paul Fox (12) - Positive Thinking (CD). More than three decades on, it never fails to make us sing our fool hearts out on the dance floor.

The Pasadena guitar heroes entered the synth era in a huge way with this powerhouse. Sure, it also might mark the band's transition from raw rock gods to elder statesmen — a metamorphosis they would complete a few years later with Sammy Hagar — but even now, the combo of that simple synth riff and Eddie's decimation of his guitar strings manages to lift you every time you hear it.

The Sugarhill Gang is largely credited as hip-hop's breakthrough inbut Kurtis Blow's hit arguably laid more road, ditching the goofier side of Sugarhill's opus in order to show a rawer, more visceral side of the genre mainstream America was still wrapping its head around.

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