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Now I just have to finish it. Musically I've worked with the same three guys". I don't really know what to put on the record. But I guess I could just put them on and see what happens. Each time I write I'll never write a song if I don't think it's going to be perfect for the record. In October, Del Rey said about the prospect of a new album: "When people ask me about it, I just have to be honest—I really don't know.

I don't want to say, 'Yeah, definitely—the next one's better than this one', because I don't really hear a next one.

My muse is very fickle. She only comes to me sometimes, which is annoying. By JanuaryDel Rey and Dan Auerbach were rumored to be working together at Auerbach's Easy Eye Sound recording studio in Nashville, Tennesseeand he was said to be producing her upcoming album. Del Rey and Auerbach were initially scheduled to work together for three days but ended up spending six weeks recording a full album. There were moments when she was fighting me.

I could sense that maybe she didn't want to have anybody think she wasn't in control because I'm sure it's really hard to be a woman in the music business. So we bumped heads a little bit, but at the end of the day we were dancing to the songs". In addition, it also features heavy guitars and jazz tones. Del Rey also stated that the inclusion of Auerbach was last-minute; the two had met in New York City when she believed that the record was finished.

On the release of Ultraviolenceshe reaffirmed her earlier reluctance to make another album, saying, "I mean, I still feel that way, but with this album I felt less like I had to chronicle my journeys and more like I could just recount snippets in my recent past that felt exhilarating to me". There's not a running theme through Ultraviolenceit's more atmospheric. There's more of a general vibe going on. I feel like it has a narrative; it starts with my favorite song from the record, called 'Cruel World,' with these heavy guitars and I like that because it's symbolically referencing the West Coast, and from there we move into parts of Brooklyn, sonically.

Del Rey on the album's cohesion, [9]. The sound of Ultraviolence was characterized as psychedelic rock[12] dream pop[13] [14] desert rock [15] with some elements of blues rocksoft rock and indie rock. The first song on the album, "Cruel World", is the longest song on the album, clocking in at six minutes and thirty-nine seconds.

A break-up song, with 70s-style rock guitars and reverb, Del Rey considers this as her favorite track off the album. She was supposed to work with him and flew to New York City to meet him, but he died the day LP arrived. Del Rey wrote "Money Power Glory" as a reaction to her rise to fame. About writing it, she says, "I was in more of a sardonic mood. Like, if all that I was actually going to be allowed to have by the media was money, loads of money, then fuck it What I actually wanted was something quiet and simple: a writer's community and respect".

You know, I have slept with a lot of guys in the industry, but none of them helped me get my record deals. Which is annoying. During the premiere of her short film Tropico on December 4,Del Rey explained to the audience that "I really just wanted us all to be together so I could try and visually close out my chapter [of her second studio album Born to Die and third extended play Paradise ] before I release the new record, Ultraviolence ".

On May 8, Del Rey announced the track listings for the track standard version and track deluxe version of Ultraviolence. Prior to the album release, Del Rey announced a North American concert tour, as well as performances at several European festivals. She did not promote the album with television performances or interviews, instead relying on a couple of print interviews, music videos, and social media. Ultraviolence received a positive critical response following its release.

According to review aggregator Metacriticwhich assigns a normalized rating out of to reviews from mainstream critics, the album has an average score of 74 out of based on 35 reviews, indicating "generally favorable reviews".

The Guardian writer Alexis Petridis wrote that "Every chorus clicks, the melodies are uniformly beautiful, and they soar and swoop, the better to demonstrate Del Rey's increased confidence in her voice. It's all so well done that the fact that the whole album proceeds at the same, somnambulant pace scarcely matters. It goes so far as to reflect, albeit perhaps coincidentally, this era: black and white, the colour has to come from the performance, not the film it's captured on.

He felt that the album was "gorgeous and rich", and much more cohesive than the earlier Born to Die. At The Independent the album scored 3 out of 5 and critic Hugh Montgomery felt, "Ultraviolence is more of the same, but less. There is quasi-transgressive mixture of hopeless passivity and coquettish sexuality running through songs. Kyle Anderson of Entertainment Weekly wrote about Del Rey's musical aesthetic on the album, stating, "Kubrick would have loved Del Rey—a highly stylized vixen who romanticizes fatalism to near-pornographic levels, creating fantastically decadent moments of film-noir melodrama.

It's an aesthetic that demands total commitment from both artist and listener, and it would be difficult to buy into if she didn't deliver such fully realized cinema". He also added, " Ultraviolence masterfully melds those elements, and completes the redemption narrative of a singer whose breakout-to-backlash arc on 's Born to Die made her a cautionary tale of music-industry hype". Caryn Ganz for Rolling Stone gave a positive review, commenting the album "is a melancholy crawl through doomed romance, incorrigible addictions, blown American dreams," although she also wrote " [it] wraps desire, violence and sadness into a tight bundle that Del Rey doesn't always seem sure how to unpack".

The critic also called it 'intimate', 'drunk driven'. According to Metacritic, Ultraviolence was 13th-most frequently mentioned album in critics "year-end" lists in On June 18,Billboard estimated that Ultraviolence would sell approximately ,—, copies during the first week of its release in the United States.

Ultraviolence was certified gold in Canada on June 25, Credits adapted from the liner notes of Ultraviolence. From Wikipedia, the free encyclopedia.

Redirected from Guns and Roses song. For other uses, see ultraviolence disambiguation. This article is Album) the album by Lana Del Rey. Standard edition cover. The deluxe edition cover features the title in smaller text. Lana Del Rey. Elizabeth Grant Blake Stranathan. Grant Rick Nowels. Auerbach Nowels [a]. Grant Greg Kurstin. Paul Epworth Nowels [a].

Grant Auerbach Harmony Korine. Lana Del Rey — vocals all tracks ; background vocals tracks 2, 5 Dan Auerbach — background vocals track 14 Seth Kauffman — background vocals tracks 4, 14 Alfreda McCrary Lee — background vocals track 2 Ann McCrary — background vocals track 2 Regina McCrary — background vocals track 2. Standard deluxe super deluxe. CD LP digital download. Rolling Stone. July 18, Retrieved July 22, Universal Music Germany. Retrieved February 3, The Guardian. Retrieved June 13, February 27, Retrieved February 27, Archived from the original on January 22, Retrieved January 30, ISSN X.

Retrieved December 24, December 5, No Country for New Nashville. Retrieved February 20, Archived from the original on May 12, Retrieved May 10, February 20, May 5, Retrieved May 6, Retrieved October 28, Triple J. Retrieved June 15, Culture Collide. Archived from the original on August 12, Retrieved May 26, October 28, Tags: purple, ambient, landscape, planet.

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