The clean tremolo-slurred chords are used again to great effect in the verse, while a more distorted rocky guitar features in the chorus. The lyrics drop in a mention of New York. Another big Stevens Solo provides a fun interlude followed by quite a psychedelic middle eight section.
The final turn is a melancholic number. Similar to Fatal Charm, it has that closing titles feel. It also features real drums, unlike most of the tracks on the album. The rhythm guitar is very understated and the production style is very simple and unprocessed compared to most of the tracks on the album. The bass-line is very simple. As both Stevens and Idol are credited with contributing bass guitar, it would not surprise me if that would explain it.
To conclude the album, the final track commits that afore-mentioned fade out that Kenny Leitch would lament, but again, it suits the track to conclude the album. I compare it to many other albums I was listening to at the time, and they have not aged as successfully. You are commenting using your WordPress. You are commenting using your Google account.
You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. Skip to content. Steven Stevens.
Harold Faltermeyer. Idol, Stevens and Forsey in the studio. Share this: Twitter Facebook. Like this: Like Loading He covers William Bell and Booker T.
But even though Whiplash Smile is as forceful and dynamic as any album made this year, its trite lyrics prevent it from being the breakthrough he so clearly hoped for. Newswire Powered by. Close the menu. Rolling Stone. Log In. To help keep your account secure, please log-in again. A nice change of pace and gave you a softer side of Billy.
To try and win her back, he built a monument complete with furniture made of coral, in Homestead, Florida called Coral Castle. Oh well, it is now a little tourist attraction…although quite weird. Another typical Idol song with danceable beats, speedy guitar solos and all the flash and flare of the time. Not bad, but not overly special either as it is not as memorable as some of its predecessors. The song is filled with synthesizers and over the top production.
And here is the point where the album starts to suffer. With the exception of one remaining song, the rest of the album is really weak in my opinion. It has some heavy bass work which is nice and a decent enough beat, but it feels like it is missing some ingredient to push it over the top and make it a classic.
It stays in the okay song realm. It showed a lot of promise and almost delivered. Too many effects and no substance. It is plain and dull for me and I never connected to this one.
It feels lonely like Billy was without Perri…sad. It meanders along with no direction or purpose that I can feel. It is disconnecting and lackluster. Not a great way to end the album. Not worth any more words. The Track score adds up to a 6. When you take that and add it to the overall album score, I am leaning more to a 2. For me, it is a disappointing album and now knowing about all the drug use, I can feel the lack of clarity and cohesiveness in the album.
I hate Billy and Steve went out together on this note…at least they make up for it years later. If you want to check out the other reviews I have done so far for the Billy Idol Series, click the links below:. I like that side numbering. Like Liked by 1 person.
Too bad it stopped with this album. I quite enjoyed that as well. It is a good album, but was just lacking something for me. There are some good songs; however, the whole package felt off. I blame the drugs and the ego.