With Haruomi Hosono featuring on bass, Sato took on vocals, keyboards and synthesizer, kalimba, drums, writing and production duties for the album. A few years later, he moved to Kyoto, where he took up the bass guitar. At 20, he began teaching himself the piano, and shortly thereafter began playing with Masaki Ueda and other artists in the Kyoto area. In , Sato released the album Orient, featuring Ueda, Hosono and other frequent collaborators.
On much of the album, the exotica influences from his work with Tin Pan Alley are evident. Flying Carpet, another track featuring Hosono, mixes the two styles well. Though Sato has a large catalog of solo work, he is probably best known in Japan for his contributions to the work of others as a keyboard player, composer, arranger, producer, and sound engineer.
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