Unfortunately, he received very little credit for his work at the time, often not appearing on the liner notes of the records he would play on. His style, which included heavy string-bending, unusual chord voicings, and a recognizable, unique tone, was highly influential in Chicago blues.
Structurally, the song is a standard bar blues. However, the backbeat kept by Phillips is syncopated to create its eerie, lilting effect. The song is considered a Chicago Blues piece.
The recording ran two minutes and fifty-five seconds long. About Who is Joe Bonamassa? Evil Is Going On Infidelity is a worry in life and especially in the blues. Next post Joe says Goodbye to the Goldtop! From Wikipedia, the free encyclopedia. This section may require cleanup to meet Wikipedia's quality standards. Please help improve this section if you can.
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