Whether this will be their last album as a group the official word is no, but Wright is apparently gone for good, and even the faithful Nick Mason relinquishes his drum chair on one cut to session player Andy Newmark is not as compelling a question as where Waters will go with what appears to be a new-found freedom.
He plans to record a solo album for his next project, and one hopes that just the novelty of becoming a full-fledged human will be enough to keep him profitably occupied for many years to come. Newswire Powered by. Close the menu. Rolling Stone. Log In. To help keep your account secure, please log-in again. You are no longer onsite at your organization. Please log in. There was innovation too. For a group so associated with their audio pioneering, this was a positive boon. The system used a pair of microphones in the head of a dummy.
Zuccarelli played Mason, Gilmour and Waters a demo of a box of matches being shaken that sounded as if it was moving around your head.
The group were of one mind to use the system. He duly recorded Tornado aircraft at RAF Honington, the sounds of cars passing, the wind, and various ticks, tocks, dogs, gulls, steps, shrieks and squawks. On the album, sound effects careened between left and right channels. I remember almost nothing from those sessions. I wonder why. I do think Roger is often unaware of just how alarming he can be, and once he sees a confrontation as necessary, he is so grimly committed to winning that he throws everything into the fray — and his everything can be pretty scary… David, on the other hand, may not be so initially alarming, but once decided on a course of action is hard to sway.
But I never, never wanted to stand in the way of him expressing the story of The Final Cut. After much arguing with Waters, Gilmour surrendered his producer credit on the album — but not his share of producer royalties. If it was that unpleasant but the results had been worth it, then I might think about it in a different way. I like that. The central character of The Wall , Pink, makes an appearance on the title track.
Waters is frequently self-referential in his choice of words. The song examines the sudden powerlessness of a situation when confronted by the jackboot. Referencing war poet Rupert Brooke, Waters delivers one of his finest vocal performances. It also introduces the imaginary character Max, an in-joke name for producer Guthrie from the sessions.
It was issued as a single, accompanied by a Willie Christie-directed video, in May and scraped into the UK Top By then it seemed that even Waters had been removed from his own story. The surrogate band had taken over. Scarfe has said he had done a test version of a cover for The Final Cut , but Waters himself oversaw the artwork with graphic design company Artful Dodgers.
His brother-in-law, Vogue photographer Willie Christie, was brought in to take the photos for the sleeve. They came out of ideas we had talked about — poppies featured a lot because of the theme of it. I did the stills — the poppies and the strip of medals — in November The field was near Henley.
Asylum also made two uniforms, complete with the knife in the back. In , faced with a potentially ruinous lawsuit from his record company and band members,  Waters resigned. He believed that Pink Floyd was a "spent force". Gilmour's team responded by issuing a press release affirming that Pink Floyd would continue; he told a Sunday Times reporter that "Roger is a dog in the manger and I'm going to fight him".
Waters wrote to EMI and Columbia declaring his intention to leave the group, asking them to release him from his contractual obligations. With a legal case pending, he dispensed with manager Steve O'Rourke and employed Peter Rudge to manage his affairs.
Owing to the combination of Pink Floyd's partial breakup and Waters' dominance on the project, The Final Cut is sometimes viewed as a de facto Waters solo album. Writing for AllMusic , Stephen Thomas Erlewine said "with its anger, emphasis on lyrics, and sonic textures, it's clear that it's the album that Waters intended it to be. And it's equally clear that Pink Floyd couldn't have continued in this direction.
And either failing or succeeding brilliantly. It's up to you to decide whether this record is a success or a failure, but I'd go with the former every time. From Wikipedia, the free encyclopedia. Pink Floyd. Waters' lyrics demonstrate his despair of war, in particular the Falklands Conflict.
Rolling Stone. Retrieved 18 December Commonwealth War Graves Commission. Retrieved 1 March Pink Floyd — The Music and the Mystery. London: Omnibus Press. ISBN The New York Times. ISSN Retrieved 24 April Reissue Series".
Retrieved 26 August The Village Voice. Retrieved 24 February Australian Chart Book — Illustrated ed. Ives, N. Hung Medien.
Retrieved 9 June Library and Archives Canada. GfK Entertainment Charts. UK Albums Chart. Polish Society of the Phonographic Industry. Retrieved 2 February IFPI Austria. Bundesverband Musikindustrie. Federazione Industria Musicale Italiana. Retrieved 30 January Select "" in the "Anno" drop-down menu. Select "The Final Cut" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved 13 September Enter The Final Cut in the "Artiest of titel" box. Recorded Music NZ. Retrieved 21 November British Phonographic Industry.