PJ Harvey Let England Shake


PJ Harvey Let England Shake


Q : — Uncut Archived from the original on 8 December The Independent. Archived from the original on 13 February Slant Magazine. Radio Times. ISBN Retrieved 26 December Archived from the original on 1 December Retrieved 8 November Drowned in Sound.

Retrieved 15 April The Wire. January Music Week. Retrieved 1 March Official Charts Company. Retrieved 31 March Retrieved 30 March British Phonographic Industry.

Archived from the original on 11 January Retrieved 4 December IFPI Denmark. Archived from the original on 3 January Hits Daily Double. Archived from the original on 4 March Dorset, United Kingdom: Island Records.

LC Hung Medien. Ultratop in Dutch. Ultratop in French. Retrieved 11 July Prometheus Global Media. Media Control Charts in German. Bundesverband Musikindustrie.

Archived from the original on 14 March Federation of the Italian Music Industry. Archived from the original on 23 August OLiS in Polish.

Polish Society of the Phonographic Industry. Hitparade in German. Rovi Corporation. Retrieved 29 December Hitlisten in Danish. Archived from the original on 23 January Retrieved 23 January Swedish Recording Industry Association.

Archived from the original on 13 April Stories was predominately about New York where she lived for a while and being in love.

On the cover, she stood looking chic and purposeful amid the bright lights of a Manhattan street. Entering her 30s, she seemed to have sanded down her edges and become comfortable, which, for all the album's charms, was a disappointment.

But no. Her next album, 's Uh Huh Her was a raggedy scrapbook of disparate ideas, less a coherent statement than an exercise in creative house-clearing, and with White Chalk she opened a whole new chapter.

Perennially disgruntled by critics who took her songs for glorified diary entries, she embraced a more obviously literary approach, setting aside her guitar to pick out sparse, beautiful melodies on unfamiliar instruments such as the piano and autoharp.

She sits down to write every single day instead of waiting for the muse to strike. Lyrics tend to start out as poetry, and some then evolve into songs. Listening to her talk about Let England Shake , it sounds less like a record than a novel or an art exhibition. She did get a record deal, but in a way she's been at art school ever since.

She's extremely independent. She makes a plan and then very methodically carries it out. All the photographs and videos accompanying the new album are the work of the war photographer Seamus Murphy. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.

Songwriters tend to be notoriously bad at describing the creative process, and loth to mention the perspiration behind the inspiration, but Harvey is visibly energised by talking about it. I wanted to get better, I wanted to be more coherent, I wanted there to be a greater strength and depth emotionally, and all these things require work — to hone something, to get rid of any superfluous language.

I'm inspired by the other great writers I go back to and read again and again, and think how did they do that? Such as?

She indicates a volume of Harold Pinter's poetry that she has brought with her. Just unbelievable. A poem like 'American Football' or 'The Disappeared'. TS Eliot of course. Ted Hughes. WB Yeats. James Joyce. I'm reading John Burnside's poems at the moment. Do you know his work? I'm getting that feeling — just reaching the end of every poem, going 'Oh my God! It made me want to try and get close to this strange, mysterious thing that people can do with words.

Even so, I wonder if she ever misses the jolting release of strapping on an electric guitar, turning it up loud, and bashing out a song in a couple of hours.

It might be driving really fast somewhere. It might be screaming like a lunatic, running fast down a hill. Or playing music extremely loud and shouting. This is the thing about Harvey. She has done such a good job recently of presenting herself as a patient craftswoman, chipping away at words the way her mother chips away at stone, that you could be mistaken for thinking she had become emotionally cool, but it's just that she doesn't advertise that side of her personality anymore, and for good reason.

When, in , she was promoting Dry , whose torrid, abstract expressions of female sexuality were new to indie-rock, she found herself fielding questions about when she lost her virginity. Along with the other sudden pressures of entering the music business, it precipitated a nervous breakdown. Circa To Bring You My Love three years later, when she adopted a lurid, glam-grotesque look she described as "Joan Crawford on acid," she was asked about eating disorders.

Who could blame her for pulling up the drawbridge in later years? She is not cool so much as contained, with a hint of underground streams foaming away beneath the surface. I certainly can get very angry about things I hear day to day, and shout at the radio, shout at the television, or actually feel sick or feel like weeping.

When you rolled a smoke or told a joke, it was in the laughter and drinking water, it approached the beach as strings of cutters, dropped into the sea and lay around us. Death was in the ancient fortress, shelled by a million bullets from gunners, waiting in the copses with hearts that threatened to pop their boxes, as we advanced into the sun death was all and everyone. Death hung in the smoke and clung to acres of useless beachfront. A bank of red earth, dripping down death, now, and now, and now.

Death was in the staring sun, fixing its eyes on everyone. It rattled the bones of the Light Horsemen still lying out there in the open. The scent of Thyme carried on the wind, stings your face into remembering that nature has won again. Cruel nature, cruel, cruel nature. The land returns to how it has always been. The scent of Thyme carried on the wind. Jagged mountains jutting out, cracked like teeth in a rotten mouth. I live and die through England. It leaves sadness.

It leaves a taste, a bitter one. Remedies never were, remedies, not within my reach. I cannot go on as I am. I cannot leave. England, I have searched for your springs, but people stagnate with time like water or air. Undaunted, never-failing love for you, England, is all, to which I cling. We got up early, washed our faces, walked the fields and put up crosses, Passed through the damned mountains, went hellwards, and some of us returned, and some of us did not.

In the fields and in the forests, under the moon and under the sun another summer has passed before us, and not one man has, not one woman has revealed the secrets of this world.

So our young men hid with guns in the dirt and in in the dark places. Bitter branches spreading out. There is none more bitter than the wood. Soldiers, standing in a line, the damp earth underneath, holding their rifles high. Holding their young wives with white hands. Hold up the clear glass to see. Hold up the clear glass and look through; soldiers standing in formation, the damp earth underneath, holding their rifles high. Their young wives, with white hands wave goodbye.

Their arms as bitter branches spreading into the white world.



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4 thoughts on “ PJ Harvey Let England Shake ”

  1. Kajikinos says:Let England Shake is the eighth studio album by English singer-songwriter and musician PJ Harvey, released on 14 February by Island Records. Production began around the time of White Chalk's release in , though it is a departure from the. Let England Shake is the eighth studio album by English singer-songwriter and musician PJ Harvey, released on 14 February by Island Records. Production began around the time of White Chalk's release in , though it is a departure from the piano-driven introspection of that album.
  2. Bralar says:"The West's asleep," PJ Harvey declares on the first line of her new album, Let England Shake, before spending the next 40 minutes aiming to. It was created with a cast of musicians including such long-standing allies as Flood, John Parish, and Mick Harvey. It is the eighth PJ Harvey album, following.
  3. Mezilkis says:It's more a matter of tone. The music sounds muted, misty and ambiguous, which seems to fit with Harvey's vision of England: "The damp grey. Polly Jean Harvey chooses her words carefully. Her lyrical perfectionism is the chief reason why her new album, Let England Shake, has been.
  4. Vigul says:Let England Shake · The Last Living Rose · The Glorious Land · The Words That Maketh Murder · All & Everyone · On Battleship Hill · England · In the Dark Places​. album from the critically adored British singer/songwriter. Let England Shake was recorded in a 19th Century church in Dorset, on a cliff-top overlooking​.

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