This set list is representative of the show on August 20, in Providence, Rhode Island. It does not represent the set list from all of the shows. It consists of twelve tracks from Ctrl and three tracks from Z The music video for the song, directed by Nabil, premiered on April 27, On September 26, , " The Weekend " was sent to urban contemporary radio as the album's third single.
A music video for the song directed by Solange Knowles was officially released on December 22, It has been certified 3x platinum by the RIAA. Ctrl received widespread critical acclaim from music critics. At Metacritic , which assigns a weighted mean rating out of to reviews from mainstream critics, the album received an average score of 86, based on 15 reviews, which indicates "universal acclaim".
Her voice is upfront, recorded to sound natural and unaffected, with all its grain and conversational quirks. It's raw, soulful, rhythmic and uplifting in all the right places and will surely be a summer gift for old and new fans.
Kennedy of Los Angeles Times called the album "equal parts aching, brazen and gorgeously honest" and said of the songs, "The records are tender, vulnerable and often defiant. Ryan B. Patrick of Exclaim! He went on to say that Ctrl "is craft in action, a uniquely excellent album from a uniquely excellent artist. Ctrl debuted at number three on the US Billboard chart, earning 60, album-equivalent units including 25, copies as pure album sales in its first week.
Credits adapted from liner notes. From Wikipedia, the free encyclopedia. Top Dawg RCA. Scum Lang [a]. Rowe Donaldson Lang Adam Feeney. Scum Lang Frank Dukes [a]. Rowe Fauntleroy Lukasz Plas Fayne. Rowe Lang Donaldson Henderson. AllAccess Music Group. Archived from the original on June 10, Retrieved June 10, The Guardian.
Retrieved January 5, Rolling Stone. Retrieved September 22, Retrieved April 12, HipHop DX. Archived from the original on February 12, August 14, September 11, Archived from the original on December 30, Retrieved May 26, September 29, The Washington Post. Retrieved December 20, Retrieved June 16, Paste Magazine. Retrieved August 30, Retrieved June 13, Retrieved July 15, July 21, June 15, Retrieved June 20, Retrieved July 13, June 13, New York Times.
Retrieved June 23, Hot New Hiphop. The Fader. Retrieved October 8, Kendrick Lamar ". Eldridge Industries. I didn't postpone the tour.
I rescheduled 3 days outta like ! Retrieved December 11, April 27, Archived from the original on September 24, Retrieved July 31, Archived from the original on January 4, Album of the Year. Retrieved May 10, Retrieved August 27, Retrieved June 14, Retrieved November 16, The A.
Consequence of Sound. That just came from factual life. I never, ever do it. But , if I really like you, and like, you touch my legs, maybe I want to be kind of smooth for you. Body hair has become such a conversation in mainstream feminism and presentation, I like that openness.
You just learned what a Beauty Blender was this year. How are you judging me? My body is ever-changing. My weight is hella fluctuating all the time — I think I just grew hips, like, randomly. I never had hips my whole life!
What does it mean when I look my best? The practice of self-love is powerful. This is your formal debut. How do you expect the industry to respond your music, to receive Ctrl?
I think you have to focus on just getting your ideas out. What were those goals? I wanted to just do like a stream-of-consciousness song from the top, to just freestyle something that flowed out of my body. I was hella outcast in school. Win for all of us! We all approach music in like this weird way. How did you work through that frustration?
Oh, man. That shit must have been cosmic. The amount of delays were just unreal, and so I figured that there must be a reason, because it was out of my control. You expect them to maybe get a little bit better, or get settled and be refined and polished. Should I try some more? I did like a whole boom-bap phase. Then I wanted to make all trap everything.
Then I wanted all organic everything. This is crazy! I just got so nervous because I felt like my album was just this imaginary thing. Every time. Are you grateful for this journey, delays and all? I think I needed everything.
Whatever happened, I needed. I needed to wait, and sit in situations. How can I expand on my vision? You can always just grow. This interview has been edited and condensed. Already a subscriber? Log in or link your magazine subscription. Sign Up. Account Profile.
Sign Out. SZA's debut album makes a bold statement. Photo by: Sage. Many of her songs, like "20 Something" and "Anything," feel like very specific anthems that young women, especially young black women in their 20s, need in But to be a black woman right now, it definitely feels like I have back up," she told Complex in I've never felt like that before.
Our conversation has been lightly edited. Code Switch Kat and Leah : All righty. So, we heard that the three of you have some very strong feelings about SZA and Ctrl.
What brought you to this album to begin with? And then she got signed to TDE — and she's the only woman signed to that label, I believe. I like the music of Kendrick, Schoolboy Q, and the other Black Hippy members but definitely always see it as pretty So I was excited about what SZA would do on this label. And also, the anticipation for this album really seemed to build among young black women this year — this album release had been rumored for a while so I was just excited to see what she was gonna come out with.
I liked the way it sounded, but the lyrics were so metaphorical and combined with her tone, I couldn't connect as viscerally as I do with this album. But her first song that she dropped after her last project, "twoAM" was more honest and grounded than I was expecting from her. I felt it. Which began the long wait for Ctrl. I've been in an interesting time in my life for reflection and writing, understanding complex ideas about myself, race, sexuality, and so on.
This comes after almost like a stream of "Black Girl Magic" content in the last couple of years in music, but SZA's closer to my age to resonate with Sydnee: Yes! I think age has a lot to do with my connection, too. Solange's album allowed for black girl vulnerability, but she's in her early 30s.
She has a family. There was a sense that she was more removed from twentysomething problems. Brandi: Sydnee, I agree. I really liked the last project's poeticism, it marked SZA as a great writer but Ctrl is a lot more personal and vulnerable — anecdotes and all. Jenny: Yeah, there's actually this great quote from her interview with Breakfast Club about that.
She was talking about how this album she really turned down the reverb, etc. And your thoughts. And you kind of have to say something — you don't have to say anything, but you have to mean it. Code Switch: Ooh, that's a good quote. What were your first impressions of the album? Sydnee: I really appreciated the vulnerability. I felt like I was listening to the audio version of someone's diary.
Brandi: Heh, twentysomethings. At the same time First impressions, I went off. Talking about how SZA planted me in the earth and I grew from a weed to a 1,acre rose garden. Initially, and now, I felt so aligned and just couldn't stop asking why SZA published my journals behind my back.
Sydnee: Yeah, I think there's so much power in being able to share insecurities without tone policing for young black women. Jenny: Honestly, the first thing I was struck with was the sound of her voice. I feel like no one right now is singing the way she sings — the way she kinda winds through the beats. And yes, then I was so struck with the honesty. And the things you don't say out loud but you think!